Cabrini Green

Candyman (2021) – Movie Review **31 Days of Horror**

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Candyman (2021) – Plot & Trailer | Horror Sequel | Heaven of Horror

Say his name. The Candyman returns to terrify us all during ’31 Days of Horror,’ this time from the mind of Jordan Peele and director Nia DaCosta. Logan and Henry look into the mirror and review the 2021 reboot of Candyman. 🎃🪦👻☠️😷🔪🍬🍭🐝

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“A sequel to the horror film Candyman (1992) that returns to the now-gentrified Chicago neighborhood where the legend began.”

Also, before you prepare to get your ghoul-gown, check out the CinePhellas on social media for all kinds of updates and join our CinePhellas family. We at CinePhellas really do appreciate all your support and remember, always check your candy. 🍫

Candyman (1992) – Movie Review **31 Days of Horror**

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Candyman IV': Tony Todd Revisits the Winter-Set Sequel That Was Never Made [Phantom Limbs] - Bloody Disgusting

The Cabrini-Green public housing development serves as the backdrop of this terrifying tale and today’s entry of ’31 Days of Horror.’ Logan and Henry hit the south side to search for the urban legend known as Candyman, and review the film which was released back in 1992. 🎃🪦👻☠️😷🔪🍬🍭🐝

#Candyman #31DaysofHorror #MovieReview

“The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster’s myth.”

Also, before you prepare to get your ghoul-gown, check out the CinePhellas on social media for all kinds of updates and join our CinePhellas family. We at CinePhellas really do appreciate all your support and remember, always check your candy. 🍫

Review – Candyman (2021) **31 Days of Horror**

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Watch Candyman 2021 at home for free: Here's how to stream full movie

By Kevin Muller

To say Jordon Peele’s star has risen, would be an understatement.  In the span of four years, he has gone from a hilarious sketch comic to one of the most reliable talents in Hollywood. Even though his projects still contain the humor that we love him for, he also injects a lot of social commentary into his films about the black experience. Now, he has brought back the old horror classic, Candyman, to the big screen in what is considered a sequel and NOT a remake. Does he breathe new life into the project or was this a property he should’ve left alone?

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