Blue Velvet

Beyond Fest announces the first physical genre festival of the year with week-long drive-in residence including world premieres of Christopher Landon’s from Blumhouse FREAKY, Adam Egypt Mortimer’s ARCHENEMY, and Jim Cummings’ THE WOLF OF SNOW HOLLOW.

Beyond Fest, the highest-attended genre film festival in the US, is excited to announce its complete slate of 2020 programming comprising of seven nights of double-bill features including three world premieres, one North American Premiere, and two US premieres of unadulterated cinematic excess. Following a sold-out Summer residence with the American Cinematheque at the Mission Tiki Drive-In, Beyond Fest returns to the socially-distanced safety of the drive-in Friday, October 2nd – Thursday, October 8th to generate funds for the 501c3 non-profit film institution.

Continue reading →

by Armando Vanegas

Twin Peaks had to be interesting to see back in 1990. It was at a time when TV largely stayed in their lanes and never threatened to disturb the status quo. But that’s what happens when you get David Lynch, then of Blue Velvet and Wild at Heart, have the audacity to condescend to TV and bring his weird brand of black lodges and dancing little people in small red rooms with striped floors. For a few years now, I’ve been attempting to experience this show and see what makes it special. After all the hype, I heard about the latest revival by Showtime from last summer, I wanted to review the first two seasons and share some thoughts as someone who was completely new to it and was totally out of the loop as this show was way before my time. I also wanted to give it a chance as it’s considered a pioneer of Peak TV and David Lynch has made things that I’ve liked in the past, so I wanted to see what his vision would look like if it was contained in a network TV show.

Continue reading →

Cinephellas

Four Decades of Binging

Review – Twin Peaks (Seasons 1 + 2)