Review – Deadpool 2 (2018)

by Old King Clancy

WARNING – I will have to discuss a pretty big spoiler that occurs in the first act, I would try to avoid it, but it factors into the film quite heavily. It’s within the first 10-15 minutes, so it’s not too big but here’s the warning anyway.

Looking back at the history of the first Deadpool and how long it took to actually get made I forgave it for some of its shortcomings, namely in that while it was a good comedy, it lacked a strong story to make it good film overall. As such it doesn’t hold up as well on revisits, but is still a funny movie, by comparison Deadpool 2 has a much stronger narrative as well a much more impressive action set-pieces. Ironically, it’s the jokes that come up short. Maybe now living in a world where films like Logan and Infinity War have changed the comic-book movie landscape, the immaturity of Deadpool doesn’t sit as well with me, or maybe I’m just a pretentious ass who can’t have any fun.

Let’s find out.

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Review – Ready Player One (2018)

by Colby Sanchez

The year is 2045. Wade Watts lives with his aunt and her deadbeat boyfriend in shady part of Columbus, Ohio. Like most of his peers, Wade spends most his time fleeing from his problems by getting lost in a virtual reality called the OASIS. The game was created by the late James Halliday. The objective of the game is to obtain 3 keys that lead to a prize, granting the winner Halliday’s fortune, and complete ownership over the OASIS. Teaming up with his friends, the High Five, Watts goes on the biggest Easter egg hunt of his life.

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Review – Annihilation (2018)

by Old King Clancy

As a writer, Alex Garland has had a hand in some of the best sci-fi of the 21st Century with 28 Days Later, Sunshine, and Dredd under his belt. He continued that trend into his directorial debut, Ex_Machina, which ended up as my top film for that year. When his latest film, Annihilation, got in the news for being considering too ‘smart’ for the average audience and sent straight to Netflix everywhere except the US, Canada, and China, you couldn’t help but wonder exactly how smart Garland had made his film. Especially, when you factor in that both Garland and one of the producers refused to bow into the studio demands to dumb the movie down.

Having now finally seen it, I’m glad Garland stuck to his guns because Annihilation is one of the most unapologetic cases of Hard Sci-Fi I’ve seen for a while.

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