First trailer for Sundance Grand Jury Prize Winner ‘THE SOUVENIR’

Watch the first trailer for The Souvenir, a mysterious and mesmerizing chronicle of first love from acclaimed filmmaker Joanna Hogg.

The Sundance Grand Jury Prize Winner features profoundly layered breakout performances by Honor Swinton Byrne and Tom Burke alongside Academy Award winner Tilda Swinton in an enrapturing and personal portrait of the artist as a young woman.

The Souvenir hits Theaters on May 17th

 

Review – Mid90s (2018)

Logan Myerz reviews Jonah Hill’s directorial debut Mid90s now available in theaters.

#mid90s #moviereview #jonahhill

“Follows Stevie, a thirteen-year-old in 90s-era LA who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.”

Review – Slice (2018)

by Old King Clancy

Movies like Slice are part of a genre that I’m now trade-marking as “Kitchen Sink Movies,” films like Detention and Freaks Of Nature that take wildly outlandish concepts, throw the kitchen sink at the screen, and pray to god that it’s entertaining because it’s sure as hell not gonna make any sense. It’s a difficult genre to pull off since you run the risk of going too far and blurring out any attempt at story, or you don’t go far enough and your wild concept just feels flimsy and unfocused. In the case of Slice, it unfortunately suffers from the latter issue.

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Review – Eighth Grade (2018)

By Armando Vanegas 

Comedian Bo Burnham’s feature film debut Eighth Grade, a new movie about a young girl going through the last week of eighth grade, will probably make most people’s skin crawl, due to how it manages to hit so close to home depending on one’s personal childhood experiences. But it made this reviewer feel very engaged and invested for just that reason due in part to Burnham’s skills behind the camera. He makes a rather simple slice of life story as convincing enough for someone like its introverted and social media obsessed main character Kayla, played by actress Elsie Fisher. Fisher proves to have a future in movies as her role fits her like a glove. She doesn’t so much announce herself as a star in the making, so much as she quietly nudges to the person next to her and writes it in a note to pass it down the theater aisle. She finds a way to make this character both sympathetic and off-putting, sometimes in the same scene. She makes the moments of her character’s anxiety feel too real and gives a lot of unexpected tension to the proceedings. She also successfully manages to embody the feeling of alienation that one gets from that awkward time in one’s life while struggling to make a connection through social media. This is one of the ways the movie manages to subvert expectations while being more thoughtful and emotionally in-depth than most other coming of age movies.

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Review – Hereditary (2018)

by Old King Clancy

I’ve mentioned before that every year there seems to be one breakout horror film that critics rave about. Over the last five years, we’ve had The Babadook, It Follows, The Witch, Get Out, and now with Hereditary standing out as 2018’s  landmark horror movie. Another connection between the films is that I’ve ended up loving them all and Hereditary is one of the best to date.

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