Review – Life (2017)

by Nile Fortner

Is This Sci-fi Film Recycling Other Sci-fi Films?

Life’ is science fiction thriller, starring Jake Gyllenhaal (Nightcrawler, Southpaw), Ryan Reynolds (Safe House, Deadpool), and Rebecca Ferguson (Mission: Impossible – Rogue Nation, The Girl on the Train). No, this movie isn’t a remake or re-imagining of the 1999 Eddie Murphy and Martin Lawrence movie of the same name. So don’t expect to see Murphy fighting over some cornbread in space or anything like that.But you can expect to see six astronauts that aboard a space station, and they discover something we’ve all been wondering since the dawn of human history. They discover new life, they discover life in a galaxy far far away, they discover extraterrestrial life on Mars.

These members of the space station name this new life force, Calvin. As these astronauts conduct research on Calvin, gather data, and all that science mumbo jumbo. They realize Calvin is evolving rapidly, gaining strength, and learning at a very alarming rate. It turns out Calvin’s life may be more intelligent and terrifying than anyone could have ever imagined.  If this movie feels familiar, it just might be. Many people saw this trailer, and said to themselves, “Why are you reenacting the script of ‘Aliens’?” While watching this movie, just from the trailer alone, you feel a vibe of other science fiction films you’ve seen before.

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Good to the Last Fry! The Founder – Review (2017)

Image result for the founder movie poster

by Chris Rzigalinksi

Ray Kroc, the McDonald’s Corporation Founder and former CEO, is a pivotal yet obscure figure to the billions of people around the world that eat at his restaurant every day. His legacy is finally explored in a major motion picture with John Lee Hancock’s The Founder (2016). Michael Keaton follows award-winning performances in Birdman and Spotlight with a stunning take on Kroc that both shows the man as a product of his time and as someone constantly trying to transcend its limitations. Keaton’s finest talent as an actor is to bleed dry the unlikable qualities of his characters and locate their last remaining bits of redeeming integrity. He transforms writer Robert Siegel’s story from a script to a pilgrimage about an enigmatic visionary, who, to paraphrase Kroc’s famous words, was in the right place at the right time and did something about it.

 

The Founder gives us a deeper understanding of Ray Kroc by depicting him as a product of mid-20th century aspiration. Mobility is the major theme of the film, in both the physical and financial senses. We first meet Kroc as a milkshake machine salesman crisscrossing the United States in 1954. It’s important to remember the context of this moment in history. Nine years after World War II ended, America was an affluent nation. Government funding like the G.I. Bill helped returning soldiers afford college educations, stable homes, and reliable automobiles. Suburban communities sprang up across the nation. And the Federal Aid Highway Act would be signed by President Dwight Eisenhower in two short years. Cars and the freedom they afforded were the linchpin of this cultural revolution. Ray’s recognized that Americans were living at a faster pace and that food service had to keep up.

 

That awareness draws him to the McDonald brothers in San Bernardino, California. Dick, played by Parks and Recreation he-man Nick Offerman, and Mac, played by John Carroll Lynch, probably most recognizable for his roles in American Horror Story and TURN: Washington’s Spies, wow Kroc with their signature Speedy System. Derived from Henry Ford’s Model T assembly line process, the Speedy System dispenses with all wasted motion and turns out the most hamburgers possible per batch. A complete meal consisting of a hamburger, an order or french fries, and a Coke took only an astounding 30 seconds to reach customers’ hands. As the McDonald brothers explain their research methods to Ray, that wide-eyed mischievous Beetlejuice gaze creeps into Keaton’s eyes. The combination of innocence and calculation is Ray Kroc. We get to discover him along with Keaton through that one gesture.

 

In what I believe to be the most poignant scene of the film, Ray goes to a movie theater to see On the Waterfront, the 1954 Marlon Brando classic. The implicit reference is to Brando’s “Terry” lamenting his failed boxing career. We don’t hear the famous lines, “I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let’s face it,” but the silent association with worrying about failure is even more powerful. We root for Ray to prevail. He goes back to the brothers with a powerful vision: McDonald’s as the next American church; the Golden Arches becoming just as iconic as Old Glory.

 

As a business venture hatches, we get to know the complexity of Ray Kroc. His vision is to franchise, franchise, and franchise. His drive to open the first McDonald’s in Illinois leads to a desire for expansion across the midwest. The brothers see this as overreaching, and it’s not long until conflict develops. Ray worries he can’t possibly stay true to the brothers’ core standards and still create a fast food empire. That’s when Kroc’s story really begins. Our trust in Ray is compromised by a series of decisions that blur the lines of ambition and exploitation. In the hands of any other actor, the character might become repulsive. However, Michael Keaton’s genius keeps us invested, like we were plunging into the empty box for that one last french fry.
The Founder deals with ethical issues like the value of a name, treatment of concepts versus people, and the struggle for self-preservation. It’s especially relevant in 2017, when our president’s ego-maniacal personality and take-no-prisoners business ethic helped him earn a seat in the White House. Michael Keaton pulls off the role with help from great performances by Laura Dern as his neglected wife, Linda Cardellini as his inspiration, and BJ Novak as the financial advisor that enabled his fortune. I give The Founder 5 out of 5 hairpieces. It’s a well-done biopic that educates us about an important pop culture phenomenon and remains entertaining from title to credits. Check it out in theaters now, and feel free to sneak in a Big Mac.

Oscar Nominations 2017-‘La La Land’ is in the lead with 14 nods!

oscar-nominations-2017

Best Picture

Arrival

Fences

Hacksaw Ridge

Hell or High Water

Hidden Figures

La La Land

Lion

Manchester By the Sea

Moonlight

lalaland

Directing

Denis Villeneuve, Arrival

Mel Gibson, Hacksaw Ridge

Damien Chazelle, La La Land

Kenneth Lonergan, Manchester By the Sea

Barry Jenkins, Moonlight

Lead Actress

Isabelle Huppert, Elle

Ruth Negga, Loving

Natalie Portman, Jackie

Emma Stone, La La Land

Meryl Streep, Florence Foster Jenkins

jackie

Lead Actor

Casey Affleck, Manchester by the Sea

Andrew Garfield, Hacksaw Ridge

Ryan Gosling, La La Land

Viggo Mortensen, Captain Fantastic

Denzel Washington, Fences

manchester

Supporting Actress

Viola Davis, Fences

Naomie Harris, Moonlight

Nicole Kidman, Lion

Octavia Spencer, Hidden Figures

Michelle Williams, Manchester by the Sea

Supporting Actor

Jeff Bridges, Hell or High Water

Mahershala Ali, Moonlight

Dev Patel, Lion

Michael Shannon, Nocturnal Animals

Lucas Hedges, Manchester By the Sea

Animated Feature

Kubo and the Two Strings

Moana

My Life as a Zucchini

The Red Turtle

Zootopia

Animated Short Film

Blind Vaysha

Borrowed Time

Pear Cider and Cigarettes

Pearl

Piper

Cinematography

Arrival

La La Land

Lion

Moonlight

Silence

Documentary Feature

Fire at Sea

I Am Not Your Negro

Life, Animated

O.J.: Made in America

13th

Documentary Short

Extremis

4.1 Miles

Joe’s Violin

Watani: My Homeland

Foreign Language Film

Land of Mine

A Man Called Ove

The Salesman

Tanna

Toni Erdmann

Live Action Short Film

Ennemis Interieurs

La Femme et le TGV

Silent Nights

Sing

Timecode

Sound Editing

Arrival

Deepwater Horizon

Hacksaw Ridge

La La Land

Sully

Original Score

Jackie

La La Land

Lion

Moonlight

Passengers

Original Screenplay

Hell or High Water

La La Land

The Lobster

Manchester by the Sea

20th Century Women

Adapted Screenplay

Arrival

Fences

Hidden Figures

Lion

Moonlight

Best Original Song

“Audition (The Fools Who Dream)” – La La Land

“City of Stars” – La La Land

“How Far I’ll Go” – Moana

“The Empty Chair” – Jim: The James Foley Story

“Can’t Stop the Feeling” – Trolls

Best Costume Design

La La Land

Fantastic Beasts and Where to Find Them

Florence Foster Jenkins

Jackie

Allied

Best Makeup and Hair Styling

Star Trek Beyond

Suicide Squad

A Man Called Ove

Best Production Design

La La Land

Fantastic Beasts and Where to Find Them

Arrival

Hail Caesar

Passengers

Best Film Editing

La La Land

Moonlight

Hacksaw Ridge

Arrival

Hell or High Water

Best Visual Effects

The Jungle Book

Rogue One: A Star Wars Story

Doctor Strange

Deepwater Horizon

Kubo and the Two Strings

Best Sound Mixing

La La Land

Hacksaw Ridge

Rogue One: A Star Wars Story

Arrival

13 Hours: The Secret Soldiers of Benghazi