by Kevin Muller
There is a destructive force coming to the MCU, Marvel Cinematic Universe, and it has to power to destroy everything in its path. No, I’m not talking about Thanos, but the star of this film, Brie Larson. For those of you who don’t know, Larson hasn’t been the easiest person to deal with during the filming and promotion of this film. As the lead in a MCU film, she is using it as a platform to deal with women’s rights and other injustices she wants to talk about. Her foot has already been in her mouth a few times, including her saying that the new super hero film wasn’t made for white men, who are the majority of the critic reviewing population. On top of that, she apparently isn’t meshing well with the other Avengers, which could cause a problem. See, most of these original heroes will start to fade out, with the new ones, like Captain Marvel, stepping up to take the lead for the coming years. It doesn’t look good when your main star has created such controversy before the movie was released. Outside of the controversy, the main reason people want to see this is to get information about the person who will fix what Thanos did at the end of Infinity War. At the end of that film, Nick Fury was seen contacting her, before disintegrating into nothing, along with half of the world’s population. So, how is this origin story that tells us about the savior to this epic saga?
Logan Myerz reviews the 21st entry in the MCU and the highly controversial film, Captain Marvel.
#CaptainMarvel #MCU #MarvelStudios #MovieReview
“Carol Danvers becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.”
by Armando Vanegas
Sometimes, I get bored reviewing new movies so for some reason, I wanted to go through all the Wes Anderson movies in chronological order in the meantime. It’s just something that gives me a challenge to do and maybe there will be unexpected feelings and unique thoughts I never saw coming. So, without further delay, let’s begin with his 1996 debut, Bottle Rocket. I remember this being a movie that got a lot of play on Comedy Central back in the day and it was always the kind of movie that I never felt compelled to watch when it’s on. Honestly, I was never impressed with the bits I’d seen, but there were always interesting sequences that made the rest of the movie worth it. So, in subsequent years, I would watch bits and pieces because there was sometimes nothing to watch on cable. When I last watched this movie, I rated this movie rather highly back when I was more of a snob when it came to movies. But as anyone who has read my Phantom Thread review, I’ve decided to just to watch movies as their own individual self, judge them as their own thing no matter who’s involved in terms of the directors, the writers, or the actors. Watching this again was interesting. As a movie directed by someone who would be later become one of the most idiosyncratic and quirky filmmakers of our time, younger middle school me who watched this on cable was right. Outside of a few well directed sequences, it’s fine.
“It’s like a warm apple pie.” We revisited the raunchy teenage comedy, American Pie that’s currently streaming on Netflix.
“Four teenage boys enter a pact to lose their virginity by prom night.”
Logan Myerz reviews Jonah Hill’s directorial debut Mid90s now available in theaters.
#mid90s #moviereview #jonahhill
“Follows Stevie, a thirteen-year-old in 90s-era LA who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.”
Watch the brand new trailer for Mid90s, written and directed by Jonah Hill.
– IN THEATERS OCTOBER 19 –
“Mid90s follows Stevie, a thirteen-year-old in 90s-era LA who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.”
by Armando Vanegas
Shows that come back from a long hiatus can be tricky because you don’t know how it will be perceived and it’s hard to know if it will have the same impact that it did with viewers from years ago. The other thing to consider is that people change and as a result, feelings and sensibilities change. This seems to be a big part of what co-creators David Lynch and Mark Frost were aware of coming into this new season of Twin Peaks, also known as Twin Peaks: The Return, as it seems to have a somewhat different feel from the original series. Whereas the old show contained lots of intentional soap opera satirical aesthetics, these new episodes have a more experimental and esoteric feel that is more fitting on its new premium cable home, Showtime. As usual with any David Lynch project, you’re not going to be given simple answers and satisfying conclusions. As long as you’re okay with that going in, you’re bound get something out of this. It’s not exactly a fun watch, but it gives you something to chew on even if it can be hard to wrap your head around at times thanks to the trademark surrealism on display.