If you’re anything like us, you have a few (okay, a LOT more than a few) Funko Pop! collectibles in your possession. The good news is that there are a lot of new items rolling out of Funko Headquarters. The bad news is that you might not make your rent next month. But hey, basking in the glory of your new, massive Pop! collection is totes worth it.
Photos and details behind the cut.
by Logan Myerz
Tom Hanks is one of those actors that never stops working even after being in the business for over thirty years. He has numerous awards up his sleeve and not to mention two Oscars for films you may have heard of, Forrest Gump, and Philadelphia. While being an extremely diverse performer, his career and movie choices have changed quite drastically over the years: as a comedic actor in the 80’s to the honorable and serious roles that he crafted in the 90’s, to the peculiar and sometimes questionable roles in the 2000’s. Tom and director Ron Howard have an excellent dynamic chemistry that has been executed in several films, including Dan Brown’s trilogy: The Da Vinci Code, Angels & Demons, and now Inferno. When The DaVinci Code was released in theaters, the book was on top of the world, and the movie was the greatest depiction from novel to film since Michael Crichton’s Jurassic Park. As the universe evolves, so does the movie business, and we have seen the pitfalls of continuous sequels being developed in a major motion picture. I really appreciated The DaVinci Code and what it had to offer in an original premise that made the audience think while Dr. Robert Langdon uncovered the secret to the Holy Grail. But as the sequel, Angels & Demons, was released, I had a hard time not looking at the film like it was Nicholas Cage’s hairpiece unlocking the debauchery of National Treasure.
Now with Inferno being released later this year and getting a glimpse of the new trailer, I 
can’t fathom that this movie was developed in the first place. Just imagine sitting in the writer’s room and crafting the script that would come off as a parody movie of an actual interesting mystery film. Yes, I said it, but damn this movie looks really bad, which is painful to me because I love Mr. Hanks and Felicity Jones, but it seems they are only in the film to collect a paycheck, sadly. With a disappointing year of Blockbusters thus far, I was really hoping Sony Pictures would develop a film that would stick out next to it’s opponents, but we are slapped in the face once again. How much more trouble can Dr. Robert Langdon, the symbologist crime fighter get into? Well we will have to wait and see in October of this year. If you can get past the absurdity of Inferno, you may have an enjoyable time at the movies, but I won’t be participating this time around!
Run Tom Hanks! Run!
Inferno hits theaters on October, 28th 2016.
Source: Sony Pictures
Hearing that a film is based on an existential novel that’s over 100 years old, you should expect some level of confusion and indeed controversy. That’s what The Man Who Was Thursday delivers: it’s a film that examines themes of religion, anarchy, faith, dictatorships and metaphysical consequence and never allows its audience to get too comfortable with what is really going on. It’s a challenging piece and no doubt some of the elements will be controversial, but there’s still something interesting here that’s worth trying to crack open.
New Zealand director Taika Waititi has been around for a few years, but it wasn’t until his breakout What We Do In The Shadows that his name become recognizable. While I’m not a huge fan of Shadows, Waititi did do good work with the material. Recently Waititi was named as the director for the upcoming Thor: Ragnarok; an odd choice, perhaps, but there was word that it was Waititi’s work on his upcoming Hunt for The Wilderpeople that put Marvel’s faith in him. And having now seen it, there’s no doubt why. Not only is Wilderpeople a great double-act comedy, it’s also perhaps the best family film of the year.
One of the most difficult things about festival viewings is that in today’s society of social media and the ease of throwing out an opinion on everything, you’re sometimes among the first people to actually see a film. With little to no prior thoughts on the film out there you have to choose your interest carefully. I bring this up because it was the central cast that brought A Patch Of Fog, the feature debut of Michael Lennox, to my attention. With Conleth Hill (Varys on Game Of Thrones) and Stephen Graham (Capone on Boardwalk Empire and more importantly, Combo from This Is England), the film plays into this modern day obsessive thriller. The result is a very successful piece, but one that falters a bit when trying to decide how far into the fog it wants to go.
The news of Finding Dory didn’t initially sit well with me. Finding Nemo was one of Pixar’s all-time best efforts, with a story that nicely wrapped up everything it had to. Putting Dory at the forefront ran the risk of overselling a supporting role, plus until Inside Out came along, Pixar hadn’t been hitting the heights they usually do. Coming out, I have to admit this is a fine follow-up that manages to make Dory a main character without stretching her too thin, but it comes up lacking compared to the first film.
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by Henry Hill
It has been thirty years since the release of the beloved film Back to the Future,featuring the most iconic car in movie history, the DeLorean Time Machine. While the film’s legacy has thrived over the years – the car itself wasn’t so lucky. After decades of harsh weather, souvenir hunters and wild animals, the Time Machine seemed destined for the junkyard.
OUTATIME: Saving the DeLorean Time Machine chronicles the efforts of Bob Gale, Universal Studios, and the film’s dedicated fan community as they work together to save this cinema icon. Together, they embark on the greatest movie prop restoration of all…time! OUTATIME will be available on Digital HD, DVD and VOD on July 19, 2016 courtesy of Virgil Films.
To do the restoration right, Bob Gale made a historic choice. Instead of hiring a car company or prop house to restore the car, Mr. Gale brought in a group of Back to the Future super fans to tackle the restoration. By doing so, the Time Machine became the biggest fan-led prop restoration in movie studio history. Joe Walser (Head of the Restoration) and his team of Time Machine experts had one singular goal – restore the car with 100% accuracy. Every bolt. Every detail. Exactly like it was in the movie. That kicked off an intense, year-long restoration. Grueling work and long hours pushed team members to their breaking point. Even so, their dedication never faltered. As Walser often said, “our pain is temporary, but the car will be perfect forever.”
Working closely with the Time Machine Restoration Team, filmmaker Steve Concotelli was granted exclusive behind-the-scenes access for the entire restoration process. Concotelli interviewed dozens of people involved with the project and the Back to the Future franchise – including Bob Gale, John Murdy, Michael Scheffe, Michael Lantieri, Claudia Wells, members of the Restoration Team, and more. The result is a fascinating look at the restoration of a movie icon.
About Joe Walser (Head of the Restoration)
Joe Walser has decades of film production experience under his belt having quickly worked his way up the ranks of the Art Department to Production Designer. His pet project to build himself a DeLorean Time Machine quickly became his passion. Joe’s realized goal was to build the first truly accurate DeLorean Time Machine replica. His first Time Machine is currently on display in a museum in Santiago, Chile. His second is the official car used by Universal Studios for all their official media projects. Joe’s professional background, relentless quest for accuracy, and loyalty to the Back to the Future franchise made him the perfect candidate to head the screen-used, hero DeLorean Time Machine restoration project for Bob Gale and Universal Studios.
About Steve Concotelli (Producer/Director)
For over fifteen years, Steve has been committed to producing high quality television. In that time, he worked every job in the industry – serving as a Writer, Camera Operator, Editor, Field Producer, Director, and ultimately Executive Producer. Steve has helped create over 500 hours of television with content partners including Universal Studios, Paramount Pictures, Discovery Channel, TruTV, CMT, Spike, G4 and others. In 2010, Steve founded Cricket Pictures, a boutique production company in Los Angeles. At Cricket, Steve and his team excel at finding unique on-camera talent and creating dynamic formats around them.
About Virgil Films
Virgil Films & Entertainment was founded in 2003 by Joe Amodei to acquire, market and distribute DVD, TV and Digital product in the theatrical feature film, documentaries, special interest and sports categories. The company has built partnerships with OWN, Sundance Channel Home Entertainment, National Geographic Cinema Ventures, Pure Flix Entertainment, MLB Productions, Morgan Spurlock’s Warrior Poets and other high-profile entertainment brands since their inception. Releases from Virgil Films & Entertainment include the Oscar-nominated documentary Glen Campbell: I’ll Be Me; the award-winning documentary Miss Representation; the critically- acclaimed, timeless, best-selling Forks Over Knives and the Oscar-nominated documentary Restrepo and its sequel Korengal. They have also released the compelling I Am Chris Farley, A Brony Tale, Legends of the Knight and others.
Follow them on twitter: @virgilfilms | www.VirgilFilmsEnt.com
Follow the film on twitter: @outoftime_movie | www.OUTATIMEmovie.com
Cinephellas 