Review – Cats (2019)

by Kevin Muller

On July 18, 2019, an event happened that shook the cinematic world. The trailer for the big screen adaptation of the hit Broadway show Cats was released in all its nightmarish glory; with human/cat hybrids dancing and singing songs from the Tony Award winning show. How could Academy Award winning director Tom Hooper be behind this mess? To be fair, there have been plenty of bad trailers that marketed good or great movies. Film trailer creation is a difficult process, but that isn’t the focus of this review. Is the film a misunderstood charmer, with a lousy trailer, or a complete failure?

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Review – Uncut Gems (2019)

It’s the return of Adam Sandler in the Safdie Brothers new film Uncut Gems. Logan Myerz reviews the film that’s now playing in theaters everywhere.

#UncutGems #MovieReview

“A charismatic New York City jeweler always on the lookout for the next big score, makes a series of high-stakes bets that could lead to the windfall of a lifetime. Howard must perform a precarious high-wire act, balancing business, family, and encroaching adversaries on all sides, in his relentless pursuit of the ultimate win.”

Review – Marriage Story (2019)

by Armando Vanegas

After watching this movie, I’ve decided to retire from being a fan of movies because Noah Baumbach’s latest movie Marriage Story  finally did what I’ve wanted from movies and nothing else will compare. The Squid and the Whale was one of the movies that made me a fan of movies because it made me realize you can talk about real things like marital issues onscreen and it can impact the audience talking about those things. It doesn’t have to make you laugh, be scared, or excite you. It can also stick with you on a more personal level. Writer/director Noah Baumbach had that special touch, even back then. I think since Squid, I’ve wanted Baumbach to keep going into that well. Perhaps, I have personal things that made me want this. It also was helpful to learn that he was a child of divorce and that it was a semi-autobiographical look at his parents’ marriage. How he touched on divorce in Squid made me feel like I was seen. Marriage Story didn’t exactly fulfill those satisfactions if only because I didn’t need that itch scratched anymore. I’m young and I just want to enjoy whatever’s out there. When I saw Squid, I wanted more time in that world with these characters because it was so engrossing to me. Logically, there’s no way for this to continue because it felt complete enough even though the ending could be stronger. The movie gods have answered as this is essentially a spiritual sequel to The Squid and the Whale and it has that incredibly written Baumbach dialogue to listen to for 2 hours. It seems that he’s gotten his takes on how divorce sucks out of his system and I did as well.  As far as I can tell, movies are now dead and I will leave this movie life and become a cobbler. But before I do, I’ll talk about Marriage Story. Semi-based on Baumbach’s previous relationship, the movie deals with a theater couple who decide to go through with a divorce. As they realize, this process is extremely difficult and rough as they deal with ruthless lawyers and surprise reveals about each other. If The Squid and the Whale was the breakthrough EP, then Marriage Story is the mic drop and the surefire hit that defines  Baumbach as one of the great American directors of his time.

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Review – Waves (2019)

by Armando Vanegas

Waves is the new epic family drama from every millennial’s favorite movie studio A24 and writer/director, Trey Edward Shults. Going into it, I was excited. Mainly because it was Sterling K. Brown aka Randall from This is Us in what looked like a lead role. Also, the trailer, like any for an A24 movie, looked like this was another success in their long ring of successes. I don’t know anything about Shults as a filmmaker, although I heard very good things about his previous movies, It Comes at Night and Krisha. Look, as a black person, there’s not a lot of family dramas in the mold of Terence Malick and Punch Drunk Love coming our way, so the fact that was a movie about a successful black family having nothing to do with them being black in addition to some beautiful cinematography was exciting. I was getting The Place Beyond the Pines feelings as I was hearing about the details about it and the way people were being so elusive about what it specifically was about. It’s cool that movies like this or Sorry to Bother You or Moonlight are finally getting the chance to have a platform to tell stories featuring black centric casts, yet making the stories universal. Having seen the final product, I appreciate what Shults, who happens to be white, did with the ideas he had of telling this story about these very specific individuals and it paid off very well.

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