EXCLUSIVE: Chris chats with Charlotte Beaumont!

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It’s Halloween season. Another year of countless horror films hitting theaters trying to become the “scariest movie of all time.” You might also have seen your Video on Demand (VoD) service pushing collections of classics like Halloween, A Nightmare on Elm Street, and Child’s Play. Horror movies are everywhere this time of year. But Americans’ fascination with the genre has exploded so much, that horror movies are almost ubiquitous all year long. So what makes one of these movies worth seeing? For me, a film in this genre succeeds when it’s filled with psychodrama. Blood and gore are fine, but if you really want to terrorize me, get in my head. It’s  increasingly difficult to pull off psychodrama, since our culture is bombarded with tragedy thanks to 24-hour news cycles and the omnipresence of social media. That being the case, when a film transcends the darkness of everyday life and gets me to invest in the world it creates, I take notice. The Windmill did just that.

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Review – Dr. Strange

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by Old King Clancy

The Marvel Comic Universe has widely considered to be made of three distinct sections, Earth, Comic and Mythical. Earth and Cosmic have already been touched upon in the MCU but Mythical hasn’t until now and with good reason, because of the rule-bending nature a central universe needed to be established first before Marvel brought in its Sorcerer Supreme. As it stands, what Doctor Strange lacks in narrative it makes up for in being arguably the most imaginative MCU movie to date.

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Review – Westworld, Episode 3

by Old King Clancy

“Dear, dear. How queer everything is today, and yesterday things went on just as usual. I wonder if I’ve been changed in the night?”

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Westworld’s third episode, titled The Stray, is the weakest so far but only in terms of being the most exposition heavy so far. With all we’ve come to learn about the Park and its inhabitants, allowing a slower episode to focus our attentions seems the most logical choice to make now that we’ve all become fully invested in the story to come.

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Review – Westworld (Episode 2)

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by Old King Clancy

“This is the new world. And in this world, you can be whatever the fuck you want.”

After introducing the world and the main players of its story in the pilot episode, Westworld’s starts settling into the larger narratives with episode two, entitled Chestnut. As well as introducing new characters and expanding on some of the smaller roles from the previous episode, we’re given a look into a possible future for the future and enough to chew over with as many theories and ideas as we can manage.

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Review – The Birth of a Nation (2016)

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by Kevin Muller

After much hype from Sundance, where it won both the Grand Jury and Audience awards, Nate Parker’s “The Birth of a Nation” has finally dropped upon us. How well will the true story of a slave who decides that enough is enough and decides to have a mini uprising, that resulted in the death of many innocent whites play with audiences? Parker, who is the writer, director, and star, has said this was a passion project for him. It was one that took him close to a decade to bring to the big screen. Was all his hustle and hard work worth it?

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