Logan brings out his Boston accent and reviews the 2017 Oscar nominated film, Manchester By The Sea starring Casey Affleck. #ManchesterByTheSea #MovieReview#oscarnominee2017
Logan brings out his Boston accent and reviews the 2017 Oscar nominated film, Manchester By The Sea starring Casey Affleck. #ManchesterByTheSea #MovieReview#oscarnominee2017
Logan is excited for the new Halloween (franchise) film coming out in 2018! We have John Carpenter – The Master of Horror Blumhouse and Danny McBride (actor) on-board. Check it out below and subscribe to our YouTube channel! #Halloween# Halloween2018
The intimacy of watching television is different than bonding with movies or music. Whenever I enter new periods of confusion in my life, I make it a point to rewatch the The Graduate (1967) or blast the electric “I-don’t-give-a-fuck” Live 1966 “Royal Albert Hall” version of Bob Dylan’s “Like a Rolling Stone.” I pursue the familiar wisdom born of disillusionment in these pieces of art because it’s comforting and gives me hope. Television shows come to me as ever-changing episodes that demand my attention in the present moment. Whatever happens in my life between these installments informs my perspective on the stories and characters.


by Nile Fortner
So I’m going to get into this review right here. A review of the HBO documentary Beware the Slenderman. Now if you’re like me asking yourself, “Slenderman? Who the hell is Slenderman?” Honestly, I never heard of Slenderman until the two 12-year-old girls murdered their friend as a sacrifice to Slenderman. I remember when someone first told me about Slenderman, and I honestly thought it was a new rapper or trap dance hitting the music scene. Really, I thought someone named Slenderman was dropping an album next week. I’ve always been a fan of HBO documentaries. Spike Lee’s 4 Little Girls is one of my all time favorite HBO documentaries, and just one of my favorite documentaries in general. However, lately it seems like HBO is creating some damn fine documentaries. HBO’s Beware the Slenderman is about how an urban myth played a role in two girls murdering one of their classmates, one of their friends, and it looks like HBO has delivered another damn fine documentary.
We will be giving away a Blu-ray copy of Doctor Strange on February 28th at 7 pm CST. How can you win? Make sure you’re subscribed to our YouTube channel as well as our Facebook, Twitter, and Instagram pages. And make sure to use #PhellasGiveAway. We’ll choose a random winner on 2/28/17.
In this episode of Cinephellas Podcast, Logan and Henry talk about brand new TV shows coming out this year, returning TV series, and some of our favorites to look out for in 2017!
You can also stream our podcast on SoundCloud.com: https://soundcloud.com/user-592086213

by Kevin Muller
Every so often in Hollywood, film makers throw at us a movie that looks like one that young children would enjoy, but contain themes that are way beyond their years. In 2009, the long awaited adaptation of Maurice Sendak’s children’s book “Where the Wild Things Are” finally came to cinemas. Many were expecting a movie about the adventures of a boy and a few oversized monsters. What they got was a deep and meaningful piece of art about the emotions that Max, the human main character of the story, goes through and how he must deal with these extreme feelings. Yeah, this definitely sounds like something a six year old would eat up. Sarcasm aside, even though the movie was lauded by critics, it left many children and parents, wanting to find a movie to keep their kids occupied for two hours, cold to what was done to the beloved children’s novel.

Mel Gibson has slowly been putting himself back into Hollywood’s good books after he ostracized himself with his drunken, racist rants. He’s primarily worked in lower budget actions movies which have been mostly decent but he hasn’t stepped behind the camera since Apocalypto in 2006. Now ten years later he takes up directing duties again for a war movie about a pacifist and the true story of Desmond Doss on Hacksaw Ridge, it’s an incredible story and unbelievable if it wasn’t true but Gibson has a story to tell about a man of god going into Hell and the result is pretty good, though falls just short of greatness.

Ray Kroc, the McDonald’s Corporation Founder and former CEO, is a pivotal yet obscure figure to the billions of people around the world that eat at his restaurant every day. His legacy is finally explored in a major motion picture with John Lee Hancock’s The Founder (2016). Michael Keaton follows award-winning performances in Birdman and Spotlight with a stunning take on Kroc that both shows the man as a product of his time and as someone constantly trying to transcend its limitations. Keaton’s finest talent as an actor is to bleed dry the unlikable qualities of his characters and locate their last remaining bits of redeeming integrity. He transforms writer Robert Siegel’s story from a script to a pilgrimage about an enigmatic visionary, who, to paraphrase Kroc’s famous words, was in the right place at the right time and did something about it.
The Founder gives us a deeper understanding of Ray Kroc by depicting him as a product of mid-20th century aspiration. Mobility is the major theme of the film, in both the physical and financial senses. We first meet Kroc as a milkshake machine salesman crisscrossing the United States in 1954. It’s important to remember the context of this moment in history. Nine years after World War II ended, America was an affluent nation. Government funding like the G.I. Bill helped returning soldiers afford college educations, stable homes, and reliable automobiles. Suburban communities sprang up across the nation. And the Federal Aid Highway Act would be signed by President Dwight Eisenhower in two short years. Cars and the freedom they afforded were the linchpin of this cultural revolution. Ray’s recognized that Americans were living at a faster pace and that food service had to keep up.
That awareness draws him to the McDonald brothers in San Bernardino, California. Dick, played by Parks and Recreation he-man Nick Offerman, and Mac, played by John Carroll Lynch, probably most recognizable for his roles in American Horror Story and TURN: Washington’s Spies, wow Kroc with their signature Speedy System. Derived from Henry Ford’s Model T assembly line process, the Speedy System dispenses with all wasted motion and turns out the most hamburgers possible per batch. A complete meal consisting of a hamburger, an order or french fries, and a Coke took only an astounding 30 seconds to reach customers’ hands. As the McDonald brothers explain their research methods to Ray, that wide-eyed mischievous Beetlejuice gaze creeps into Keaton’s eyes. The combination of innocence and calculation is Ray Kroc. We get to discover him along with Keaton through that one gesture.
In what I believe to be the most poignant scene of the film, Ray goes to a movie theater to see On the Waterfront, the 1954 Marlon Brando classic. The implicit reference is to Brando’s “Terry” lamenting his failed boxing career. We don’t hear the famous lines, “I coulda been a contender. I coulda been somebody, instead of a bum, which is what I am, let’s face it,” but the silent association with worrying about failure is even more powerful. We root for Ray to prevail. He goes back to the brothers with a powerful vision: McDonald’s as the next American church; the Golden Arches becoming just as iconic as Old Glory.
As a business venture hatches, we get to know the complexity of Ray Kroc. His vision is to franchise, franchise, and franchise. His drive to open the first McDonald’s in Illinois leads to a desire for expansion across the midwest. The brothers see this as overreaching, and it’s not long until conflict develops. Ray worries he can’t possibly stay true to the brothers’ core standards and still create a fast food empire. That’s when Kroc’s story really begins. Our trust in Ray is compromised by a series of decisions that blur the lines of ambition and exploitation. In the hands of any other actor, the character might become repulsive. However, Michael Keaton’s genius keeps us invested, like we were plunging into the empty box for that one last french fry.
The Founder deals with ethical issues like the value of a name, treatment of concepts versus people, and the struggle for self-preservation. It’s especially relevant in 2017, when our president’s ego-maniacal personality and take-no-prisoners business ethic helped him earn a seat in the White House. Michael Keaton pulls off the role with help from great performances by Laura Dern as his neglected wife, Linda Cardellini as his inspiration, and BJ Novak as the financial advisor that enabled his fortune. I give The Founder 5 out of 5 hairpieces. It’s a well-done biopic that educates us about an important pop culture phenomenon and remains entertaining from title to credits. Check it out in theaters now, and feel free to sneak in a Big Mac.