Review – The Irishman (2019)

by Kevin Muller

The Irishman represents a lot as a film. First, it is the first time the legendary director, Martin Scorsese has worked with legendary actor, Al Pacino. This is also a big gamble for the streaming service, Netflix, who put up the $159 Million dollar budget, when almost every studio in town passed on it. The company has released many films before, including last year’s Oscar winning, and my favorite film of the year, Roma. The gigantic price tag went to de-aging the actors, since this film spans over 50 years. It is an expensive trick to finance. Most of all, this feels like a good-bye to a genre of films made by the master and his crew of skilled actors. The important question is, does it all work?

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Cinephellas Podcast – Episode 53 (Return of Eddie Murphy, Peaky Blinders, and MORE)

Henry Hill and Logan Myerz return in Episode 53 of the Cinephellas Podcast where they discuss the return of Eddie Murphy, The Mandalorian , Peaky Blinders, Joker 2, and MORE!

On the next podcast, we’re hosting our first Q + A. If you want to ask us a question, let us know in the comments below or e-mail us your question to cinephellas@gmail.com and we’ll answer them in a few weeks!

#CinephellasPodcast #Podcast #MovieReview #Joker2

Official Trailer!! – THREE CHRISTS – Richard Gere, Peter Dinklage, Walton Goggins- In Theaters January 10, 2020

“In 1959, psychiatrist Dr. Alan Stone (Richard Gere) arrives at a mental hospital in Ypsilanti, Michigan armed with the radical belief that schizophrenic patients should be treated not with confinement and electroshock therapy but with empathy and understanding. As his first study, he takes on the particularly challenging case of three men—Joseph (Peter Dinklage), Leon (WaltonGoggins), and Clyde (Bradley Whitford)—each of whom believes they are Jesus Christ. Hoping that by getting them together in the same room to confront their delusions he can break through to them, Dr. Stone begins a risky, unprecedented experiment that will push the boundaries of psychiatric medicine and leave everyone involved—including Dr. Stone himself—profoundly changed. Based on a remarkable true story, Three Christs is a fascinating and moving look at one man’s journey into the deepest mysteries of the human mind.”

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**Official Trailer** INHERIT THE VIPER starring Josh Hartnett – In Theaters January 10th

“For siblings Kip (Josh Hartnett) and Josie (Margarita Levieva), dealing opioids isn’t just their family business—it’s their only means of survival. When a deal goes fatally wrong, Kip decides he wants out. But Kip’s attempt to escape his family’s legacy ignites a powder keg of violence and betrayal, imperiling Kip, Josie, and their younger brother, Boots (Owen Teague), in this searing crime-thriller that builds to a shattering conclusion.”

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Review – Parasite (2019)

by Kevin Muller

One of the perks of the Oscar film season, which we are currently in, is films from all around the world get their moment in the spotlight that are vying for the chance at the “Best Foreign Film” prize. You probably have a favorite film from this genre: Life is Beautiful, Roma, A Separation, War and Peace, and Crouching Tiger, Hidden Dragon. This film comes from South Korea.  Does it deserve to be mentioned amongst those other great films?

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Cinephellas Podcast – Episode 52 (Interview with Adam Egypt Mortimer)

An imaginary friend takes a violent turn in horror-thriller director Adam Egypt Mortimer’s, Daniel Isn’t Real. Luke, played by Miles Robbins, is a troubled college student who resurrects his imaginary friend Daniel, played by Patrick Schwarzenneger. Daniel Isn’t Real gives viewers an eerie look at their inner selves and this trippy thriller shines a light on the power of choice. In this interview for the Cinephellas Podcast, Nile Fortner talks with Mortimer about what it’s like adapting the book, his inspirations such as The Exorcist and Fight Club, and more.

#CinephellasPodcast #Interview #DanielIsntReal #MovieReview

Daniel Isn’t Real PRE-ORDER LINK: https://apple.co/2nw3H6w
In Theaters, On Digital, and On Demand December 6th