Review – Happy Death Day 2U (2019)

by Old King Clancy

I might have eventually got around to watching the first Happy Death Day, but amazingly enough it was the announcement of the sequel title, Happy Death Day 2U that made me seek it out because I figured a sequel title with that level of tongue-in-cheek humor must be alright. I really enjoyed the first movie thanks largely in part to Jessica Rothe’s star-making performance, so I was all in for the sequel and having now seen it, I’m happy to say it lives up to the original, not better, but if you liked the first then there’s every chance you’ll like this one too.

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Review – Camp Death III in 2D! (2019)

Logan Myerz returns from Camp Crystal Meth to review Matt Frame’s horror parody film Camp Death III in 2D! The film will be released on Amazon Prime on February 15th.

#CampDeathIIIin2D #MovieReview #HorrorMovies #horror

”Camp Death III in 2D’ is a comedy/horror parody of ‘Friday the 13th Part III in 3D’ and is proudly presented in two dimensions.”

Review – Happy Death Day (2017) **31 Days of Horror*

by Old King Clancy

Ever since Groundhog Day, time-loop movies have had to deal with the comparison and indeed when it was advertised, Happy Death Day looked like Groundhog Day: Slasher Style, and while that did turn out to be true, it also got some good reviews calling it an entertaining horror/comedy. With the sequel getting an official release date a few days ago, I decided to kick off this year’s October viewings with this flick and see if it was as fun as advertised.

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Review – Macabre aka Rumah Dara (2009) **31 Days of Horror**

The Texas Chainsaw Massacre Comes to Indonesia

by Nile Fortner

A young group of naïve kids pick up a hitchhiking stranger and their kindness will lead to suffering and gore. We’ve seen this horror formula again-and-again in films. The 2009 Indonesian horror film Macabre does follow this similar formula and the usual clichés. However, Macabre is worth sinking your teeth into and delivers on the cannibal carnage.

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Review – Slice (2018)

by Old King Clancy

Movies like Slice are part of a genre that I’m now trade-marking as “Kitchen Sink Movies,” films like Detention and Freaks Of Nature that take wildly outlandish concepts, throw the kitchen sink at the screen, and pray to god that it’s entertaining because it’s sure as hell not gonna make any sense. It’s a difficult genre to pull off since you run the risk of going too far and blurring out any attempt at story, or you don’t go far enough and your wild concept just feels flimsy and unfocused. In the case of Slice, it unfortunately suffers from the latter issue.

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