Review – X-Men: Apocalypse

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by Kevin Muller

You have to hand it to the “X-men” franchise.  Not only is it still going strong, 16 years after the first film, but it was the jumping point for many of the comic book blockbusters we all admire today.   Christopher Nolan, who directed ‘The Dark Knight Trilogy”, has stated that he was influenced by the way Bryan Singer, this film’s director, and the director of the 2000 original film, grounded everything from the look to the themes into reality.  Singer followed it up with the equally worthy “X2” before departing and giving the reigns to Brett Ratner.   The general consensus of Ratner’s film was that it was garbage so when Singer was announced to come back and helm 2014’s “X-men: Days of Future Past,” fans rejoiced.   That film was a triumph both with fans and financially.   The amazing thing that Singer achieved was erasing everything that happened in Ratner’s film and his own, to create a new time line through the element of time travel.  This now gives him the ability to recast the roles that were made famous by other actors without anyone batting an eye.   

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Review: X-Men Apocalypse

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by Old King Clancy

The X-Men Franchise might be one of the most successful and influential comic-book series around but it’s also one of the most inconsistent with all nine of its entries ranging from great to mediocre to downright terrible. Following on from the awful Origins, the franchise seemed to find its feet again with First Class, followed by the even better Days Of Future Past, but like the original trilogy, the 3rd film is always the weakest and Apocalypse suffers from being an enjoyable yet overstuffed third album.

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Review – Green Room

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by Old King Clancy

Following up from his theatrical debut, Blue Ruin, director Jeremy Saulnier could’ve taken any route he wanted. And he chose to make Assault On Precinct Nazi, which is absolutely fine because he turns out a film with enough force to confirm himself as a director to watch out for. Green Room is the new best siege movie, with enough intensity and unrelenting violence to satisfy any genre fan.

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Review #2 – Keanu

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by Kevin Muller

Back in the early 2000’s, Dave Chappelle reigned supreme on Comedy Central with his sketch comedy show “Chappelle’s Show.” It was witty, hilarious, and incredibly smart. When he walked away from it, and the millions of dollars that Comedy Central supposedly threw at him to stay, the network was quick to find a comedian that could fill that void. The question was, could Comedy Central ever find someone even with half the talent that Chappelle possessed?

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