Review – Booksmart (2019)

by Old King Clancy

Going into Booksmart, I’d had the film on the edge of my radar, mostly due to it being the directorial debut of Olivia Wilde, the strong reviews and was being touted as the female Superbad. This was a description I later found out was more apt than I initially thought with one of the lead actresses being Jonah Hill’s sister – but had I not been given a free ticket to see the film early, I might have waited before checking this one out. Instead, I’m going to use this platform to tell people to go out there and see this film because it’s a hilarious, dirty, and an unclichéd look into female friendships and the life of a modern high-school student that deserves more than just being called the female Superbad.

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**Official Trailer** LETO by Kirill Serebrennikov

Avant-garde Russian filmmaker Kirill Serebrennikov (The Student) returns to the big-screen with a tribute to the early years of Russian rock.  Leningrad, in the summer, early eighties. Smuggling LP’s by Lou Reed and David Bowie, the underground rock scene is boiling ahead of the Perestroika. Mike and his beautiful wife Natasha meet with young Viktor Tsoï. Together with friends, they will change the trajectory of rock n’roll music in the Soviet Union. 

Review – Shazam! (2019)

Logan Myerz reviews the newest entry in the DC Universe, Shazam! that’s directed by David F. Sandberg.

#Shazam #ShazamMovie #DCU #MovieReview

“We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s case, by shouting out one word – SHAZAM. – this streetwise fourteen-year-old foster kid can turn into the grown-up superhero Shazam.”

Review – US (2019)

by Kevin Muller

There are movies, like any entry out of The Fast and the Furious series, that you invest time, marvel at the action, say something positive, or negative, about it, and then walk out of the theater. Sure, you may talk about it with your friends about the physic defying action, but it won’t hit you the way Jordan Peele’s new film Us does. You will go through all the motions mentioned, but it isn’t a film you will react to, but let sink in and digest. It’s the type of movie that throws so much at you, most of it works, and rattles your brain. It’s a very ambitious and worthy follow up to his first film, Get Out, which won him acclaim and an Academy Award for “Best Original Screenplay.”

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Review – US (2019)

by Old King Clancy

I’m not sure how this review is gonna go down because a large part of me is still trying to decipher this film. After Get Out, I was very much looking forward to more of what Peele had to bring to the horror circuit and Us looked like another winner. My initial thoughts though were good, but flawed, and yet after doing some reading I’m slowly coming around to the film. I still think that Jordan Peele is one of the most interesting voices to come out of modern horror and he’s got plenty more to say, but Us might cause a bit of rift when people talk about him.

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Review – Us (2019)

Does Jordan Peele suffer from the sophomore slump in his second film? Check out our review of Us now playing in theaters everywhere!

#US #UsMovie #MovieReview #JordanPeele

“A family’s serenity turns to chaos when a group of doppelgängers begins to terrorize them.”

Cinephellas Podcast – Episode 28 (Interview with Mark Steven Johnson)

by Logan Myerz

On this episode of the Cinephellas Podcast, I interviewed Mark Steven Johnson, the director of the new heist film, Finding Steve McQueen. Mark is no stranger to the entertainment industry and entered the Hollywood scene in the early 90’s. He has penned such great films as Grumpy Old Men, Simon Birch, and Christopher Robin. But today, I wanted to find out the directing process behind Finding Steve McQueen, working on a film that is based on a true story, working with Travis Fimmel, and his upcoming projects.

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Official Trailer Premiere – THE PUBLIC – In Theaters April 5th

In “The Public” an unusually bitter Arctic blast has made its way to downtown Cincinnati and the front doors of the public library where the action of the film takes place. At odds with library officials over how to handle the extreme weather event, some homeless patrons turn the building into a shelter for the night by staging an “Occupy” sit in. What begins as an act of civil disobedience becomes a stand-off with police and a rush-to-judgment media constantly speculating about what’s really happening. This David versus Goliath story tackles some of our nation’s most challenging issues, homelessness and mental illness and sets the drama inside one of the last bastions of democracy-in-action: your public library.

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