ATTACK OF THE KILLER DONUTS opens Friday, Nov 17th!

NO ONE IS SAFE…NOW IT’S THEIR TURN TO TAKE A BITE!

We invite you to take a bite out of Level 33 Entertainment’s hilarious horror comedy feature film ATTACK OF THE KILLER DONUTS starring C. Thomas Howell (E.T. the Extra-Terrestrial, The Outsiders, & The Amazing Spider-Man), Justin Ray (1 Chance 2 Dance & Disaster L.A.), and Michael Swan (As the World Turns, Jason Lives: Friday the 13th Part VI, & The Bold and the Beautiful) which will be released in select theaters and On Demand Friday, November 17th.

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Review- The Death of Stalin (2017)

by Old King Clancy

With The Thick Of It and it’s cinematic partner, In The Loop, covering UK politics, and Veep covering the US, it can be argued that nobody has a better, or funnier, grasp on the ineptitude of politicians than Armando Iannucci. Now with his latest film, The Death Of Stalin, Iannucci tackles historical Russian politics to show that no matter where or when, politicians were and are idiots!

Loosely based on the true story of the Russian governments reaction to the death of Joseph Stalin (Adrian McLoughlin), the film finds the Russian cabinet – Deputy General Secretary Georgy Malenkov (Jeffrey Tambor), First Secretary Nikita Kruschev (Steve Buschemi), head of secret police Lavrentiy Beria (Simon Russell Beale) and Deputy Premier Vyacheslav Molotov (Michael Palin) – coming together to help guide the country through a period of mourning. Nikita sees the opportunity to ease up on Stalin’s torturous rule and induct a more liberal approach to the Russian Government, however, Beria starts mobilizing his Police Force to manipulate Malenkov into giving him more power, and seizing the chair for himself.

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Review – The Layover, Girl’s Trip, and Rough Night!

The Good, Bad, and the Ugly: “The Layover,” “Girl’s Trip,” and “Rough Night” Review

by Kevin Muller

These three movies take the typical comedic situations involving girl trips and creates three very different stories. They all try to make us laugh, with some resorting to the gross out humor more than the others, but only one really succeeds because it abides by the rules of good film-making.  

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