
HEAD COUNT premiered at the 2018 Los Angeles Film Festival, and Ashleigh Morghan was honored with the Nightfall Special Jury Prize for a Lead Actor.

HEAD COUNT premiered at the 2018 Los Angeles Film Festival, and Ashleigh Morghan was honored with the Nightfall Special Jury Prize for a Lead Actor.

by Kevin Muller
There are movies, like any entry out of The Fast and the Furious series, that you invest time, marvel at the action, say something positive, or negative, about it, and then walk out of the theater. Sure, you may talk about it with your friends about the physic defying action, but it won’t hit you the way Jordan Peele’s new film Us does. You will go through all the motions mentioned, but it isn’t a film you will react to, but let sink in and digest. It’s the type of movie that throws so much at you, most of it works, and rattles your brain. It’s a very ambitious and worthy follow up to his first film, Get Out, which won him acclaim and an Academy Award for “Best Original Screenplay.”

I’m not sure how this review is gonna go down because a large part of me is still trying to decipher this film. After Get Out, I was very much looking forward to more of what Peele had to bring to the horror circuit and Us looked like another winner. My initial thoughts though were good, but flawed, and yet after doing some reading I’m slowly coming around to the film. I still think that Jordan Peele is one of the most interesting voices to come out of modern horror and he’s got plenty more to say, but Us might cause a bit of rift when people talk about him.

Does Jordan Peele suffer from the sophomore slump in his second film? Check out our review of Us now playing in theaters everywhere!
#US #UsMovie #MovieReview #JordanPeele
“A family’s serenity turns to chaos when a group of doppelgängers begins to terrorize them.”

by Logan Myerz
On this episode of the Cinephellas Podcast, I interviewed Mark Steven Johnson, the director of the new heist film, Finding Steve McQueen. Mark is no stranger to the entertainment industry and entered the Hollywood scene in the early 90’s. He has penned such great films as Grumpy Old Men, Simon Birch, and Christopher Robin. But today, I wanted to find out the directing process behind Finding Steve McQueen, working on a film that is based on a true story, working with Travis Fimmel, and his upcoming projects.

Based on the Story of Sharon Tate’s Dreams and the Manson Family Nightmare
Saban Films will release the thriller THE HAUNTING OF SHARON TATE in theaters and on demand on Friday, April 5, 2019.

We reviewed Boots Riley’s directorial debut, Sorry to Bother You.
#SorryToBotherYou #MovieReview
“In an alternate present-day version of Oakland, telemarketer Cassius Green discovers a magical key to professional success, propelling him into a universe of greed.”

We reviewed Drew Goddard’s mysterious thriller Bad Times at the El Royale.
#BadTimesAtTheElRoyale #MovieReview #DrewGoddard
“Circa 1969, several strangers, most with a secret to bury, meet by chance at Lake Tahoe’s El Royale, a rundown hotel with a dark past. Over the course of one night, everyone will show their true colors – before everything goes to hell.”

Logan Myerz reviews Jonah Hill’s directorial debut Mid90s now available in theaters.
#mid90s #moviereview #jonahhill
“Follows Stevie, a thirteen-year-old in 90s-era LA who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.”

Watch the brand new trailer for Mid90s, written and directed by Jonah Hill.
– IN THEATERS OCTOBER 19 –
“Mid90s follows Stevie, a thirteen-year-old in 90s-era LA who spends his summer navigating between his troubled home life and a group of new friends that he meets at a Motor Avenue skate shop.”