Review – The Gangster, The Cop, The Devil (2019) : Fantasia International Film Festival!

by Vincent Leblanc

My second movie on Day 3 of the Fantasia International Film Festival was the Quebec Premiere of the South Korean crime thriller “Akinjeon” (literally “Villain Story”) aka The Gangster, the Cop, the Devil. The film opened in South Korean theaters on May 15th and was screened out of competition in the Midnight Screenings section at Cannes on May 22nd. It then played in a handful of US theaters in June.

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Review – Crawl (2019)

Logan Myerz survived his two biggest fears, Gators and Florida, in his review of Crawl. The film is chomping it’s way into theaters everywhere!

#Crawl #CrawlMovie #MovieReview

“A young woman, while attempting to save her father during a Category 5 hurricane, finds herself trapped in a flooding house and must fight for her life against alligators.”

 

Review – Brightburn (2019)

by Armando Vanegas

Brightburn tries to present something that surprisingly hasn’t become a movie in this superhero-obsessed culture we now live in. What if Superman was evil? There’s a lot to do with this premise as villains are usually more interesting than the heroes in terms of their backstory and motivations. The movie follows Brandon Breyer, a seemingly perfectly behaved young boy who deals with new feelings and emotions when he turns 12 after he develops superpowers out of nowhere. Things get tense in the town as Brandon begins to cause trouble by attacking other people with his powers.

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Official Trailer and Poster! IRON SKY: THE COMING RACE – In Theaters July 19th

Following the devastating aftermath of nuclear war on Earth, a former Nazi Moonbase has become the last refuge for mankind. Limited supplies and overpopulation threaten the survivors until Obi, the leader’s daughter, finds a map pointing to a power buried deep under Earth’s wasted surface that could save mankind or destroy it once and for all. When an old enemy leads our heroes on an adventure into the Hollow Earth, they must fight an ancient shapeshifting reptilian race to save humanity.

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Review – Godzilla: King of the Monsters (2019)

by Kevin Muller

It has been quite a journey for Godzilla. Five years ago, the big green guy got his redemption when Godzilla was released. It had been 16 years since the awful 1998 version, where the “king of all monsters” looked like a discount T-Rex, hit screens and ultimately disappointed both fans and audiences. While the 2014 version wasn’t perfect, it had improved on the look and nature of its title character. What audiences did not care for was the soap opera level acting and drama of its main characters. The total amount of monster time was far too little for many film goers. The studio listened and increased the amount of monster goodness this time around. Does the change improve or hurt the sequel?

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